Burnside Players have succeeded in the very difficult task of staging a classic script in a manner that remains true to the era in which it was set, while also providing the audience with an engaging, relevant and thought-provoking production. This production was painstakingly true to the 19th-century Norwegian setting of Henrik Ibsen’s play, with the exception of the more modern soundtrack, which complemented the drama well without detracting from its authenticity.
While some elements of the script have obviously dated since Ibsen penned the
play in 1879 – to the point that it now sounds farcical at some points – the play still remains relevant today by criticising the social and marital norms that linger in our society. I walked away from this production asking myself: are women today truly free to forge their own identity, or are we still considered to be a wife and mother before all else?
The cast members all showed commitment to the performance and were polished (particularly for opening night). While it is often difficult for actors today to speak naturally when using such old language, this cast did so convincingly.
Kate Englefield gave a stellar performance as Nora Helmer, capturing both her flighty, captivating nature and her inner turmoil in a way which kept the audience lingering on her every word.
Holden St Theatre accommodates this period piece well, and as always, was a delightful venue. Be sure to catch this commendable portrayal of one of the greatest plays ever written.
At Holden Street Theatres until May 30.
